Don’t worry if you only have your DAW sessions running at anything below 96khz sample rate.
#Universal audio plugins vs line 6 helix free
The format we recommend you use if working in a DAW environment is what we have in the folder labeled “Wav”, in conjunction with our free IR loader “Pulse.” These IR files are at a sample rate of 96khz 24-bit, ensuring the highest quality possible for your guitar cab simulation. This includes ready made files for Axe-FX, Line 6 Helix, Kemper Profiling Amp, S-Gear, and more.
#Universal audio plugins vs line 6 helix software
Note: 57_Off and 57_On stand for On and Off axis mic positions.įor your convenience, all of our IR’s come in all popular formats for compatibility with any software or hardware you might happen to use.
For example, if you buy the “WGS Reaper MesaOS 4×12” the IR’s you will receive are the following: Fractal Audio schickt als einzige Marke kein Floorboard ins Rennen, sondern mit dem AxeFx III ein deutlich teureres Rackmodell. Das geht minimal günstiger als die erstgenannten Modelle über die Ladentheke und besitzt ein Expressionpedal. In total, you are getting 8 different IR’s per speaker/cab combination. Schaut man sich bei Line6 um, müsste man für einen fairen Vergleich des Produktformats das große Helix bemühen. The reason we chose the microphones that we did, in the positions that we did, is so that you have the power to get any sound you personally might want out of each speaker or cab. My work is done using a RNDI, a Focusrite OctoPre and a Line 6 Helix Floor. We highly encourage you to try blending different mic positions and speakers together to help you get any specific sound you are after. I work with an Universal Audio Apollo Twin and can easily adapt to your setup. Ranging from the dark sound of the R10, to the brightness of the C414, to the in your face clarity of the SR20LS. The tonal balance between all mic’s and positions is diverse. The format we recommend you use if working in a DAW environment is what we have in the folder labeled Wav, in conjunction with our free IR loader Pulse. Learn more about the Fredman technique here This includes ready made files for Axe-FX, Line 6 Helix, Kemper Profiling Amp, S-Gear, and more. For this track I need the bass to fill the holes. The Fredman technique was captured for all speakers in the bottom right position of each 4×12 cab we used. I’m recording the guitar direct into my Universal Audio Apollo X6 and am using the Line 6 Helix Plugin for amp and effects modeling. The only constant in mic position and placement was the 2 Shure SM57 using the “Fredman” technique. Wie eingangs erwähnt, handelt es sich dabei um einen reinen Software- und zwei Hardware-Modeller, die preislich sehr unterschiedlich liegen. Each Microphone was placed in different positions based on what our recording engineers thought sounded record worthy for each speaker/cab combination. Verglichen werden soll hier zum einen die neuste Version vom IK Multimedia AmpliTube 5 (Stand 1/2021), das Line6 HX Stomp mit FW 3.00 und das Fractal Audio Axe Fx III mit FW 15.01.
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